First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation. With a poet's devotion to truth and an activist's demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds.
This powerful memoir is about the premium we put on beauty and on a woman's face in particular. It took Lucy Grealy twenty years of living with a distorted self-image and more than thirty reconstructive procedures before she could come to terms with her appearance after childhood cancer and surgery that left her jaw disfigured. As a young girl, she absorbed the searing pain of peer rejection and the paralyzing fear of never being loved.
In Feminist, Queer, Crip Alison Kafer imagines a different future for disability and disabled bodies. Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances. This bold book goes against the grain of normalization and promotes a political framework for a more just world.
Crip Kinship explores the art activism of Sins Invalid, a San Francisco Bay Area-based performance project, and its radical imaginings of what disabled, queer, trans, and gender-nonconforming bodyminds of colour can do: how they can rewrite oppression, and how they can gift us with transformational lessons for our collective survival.
Both disability studies and queer theory are centrally concerned with how bodies, pleasures, and identities are represented as "normal" or as abject, but Crip Theory is the first book to analyze thoroughly the ways in which these interdisciplinary fields inform each other. Drawing on feminist theory, African American and Latino/a cultural theories, composition studies, film and television studies, and theories of globalization and counter-globalization, Robert McRuer articulates the central concerns of crip theory and considers how such a critical perspective might impact cultural and historical inquiry in the humanities.
Academic Ableism brings together disability studies and institutional critique to recognize the ways that disability is composed in and by higher education, and rewrites the spaces, times, and economies of disability in higher education to place disability front and center.
What is it about certain kinds of people that makes it impossible to take our eyes off them? Why are some visual stimuli irresistible? Why does staring produce so much anxiety?Drawing on examples from art, media, fashion, history and memoir, Garland-Thomson defines staring, explores the factors that motivate it, and considers the targets and the effects of the stare. A bodily inventory then enumerates how stares actually operate in daily life.
Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visually different. The book's essays fall into four main categories: historical explorations of American freak shows in the era of P.T. Barnum; the articulation of the freak in literary and textual discourses; contemporary relocations of freak shows; and theoretical analyses of freak culture. Essays address such diverse topics as American colonialism and public presentations of natives; laughing gas demonstrations in the 1840's; Shirley Temple and Tom Thumb; Todd Browning's landmark movie Freaks; bodybuilders as postmodern freaks; freaks in Star Trek; Michael Jackson's identification with the Elephant Man; and the modern talk show as a reconfiguration of the freak show.
One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent--but all are underrepresented in media and popular culture. ... collection of contemporary essays by disabled people.It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.
In an era when human lives are increasingly measured and weighed in relation to the medical and scientific, notions of what is normal have changed drastically. While it is no longer useful to think of a person s particular race, gender, sexual orientation, or choice as normal, the concept continues to haunt us in other ways.
Sins Invalid witnesses a performance project that incubates and celebrates artists with disabilities, centralizing artists of color and queer and gender-variant artists. Since 2006, its performances have explored themes of sexuality, beauty, and the disabled body, impacting thousands through live performance. Sins Invalid is as an entryway into the absurdly taboo topic of sexuality and disability, manifesting a new paradigm of disability justice.
Presents a radical reframing of the use of disabled characters in film. Using hundreds of clips spanning over 100 years of moviemaking, and a cast of disabled artists, scholars and activists, it's a scorching critique of some of Hollywood's most beloved characters. This revelatory documentary investigates the power of movie imagery to shape the beliefs and behaviors of the general public toward disabled people, and of disabled people toward themselves. Drawing its title from a line from Tod Browning's notorious 1932 film, Freaks, Code of the Freaks debunks well-worn tropes - the miracle cure, the blind guy driving a car, the magical little people, the face-feelers, the sexless, the better off dead - and brings an entirely fresh perspective. It dares to imagine a cinematic landscape that centers the voices of disabled people.
Deaf Jam is the story of deaf teen Aneta Brodski's bold journey into the spoken word slam scene. In a wondrous twist, Aneta, an Israeli immigrant living in the Queens section of New York City, eventually meets Tahani, a hearing Palestinian slam poet. The two women embark on a collaboration/performance duet creating a new form of slam poetry that speaks to both the hearing and the Deaf.
A documentary film on isolation, art, and transformation after brain injury made by a filmmaker with disabilities from brain injury. It follows three artists as they navigate social isolation, stigma, and rebuilding their identities. They practice the arts to re-connect to their own sense of self-pride and to their larger communities. Rather than emphasize how people got injured or highlight medical aspects of disability, we explore consequences of internalized ableism and the ways in which many brain injury survivors feel they are not accommodated or understood. Through visual arts, music, and sharing their stories, the subjects explore questions around poverty, sexuality, faith, family, success, and community.